Notions taken from Object Oriented Philosophy informed the conceptualization of this object, however, as the object remains its own best explanation, the theoretical and technical apparatus serve as a subordinate translation mechanism for the image, language, and their ontic parallels. The object is part of an ongoing research about Serlio; his treatises, objects, and images. Objects like capitals were studied to discover new formal languages as interpreted by an AI model’s understanding of the correlated data. The language of the object is further articulated by UV mapping and style transfer to move beyond the limitations of perspective and parallel projections. At the end, this digital object willfully obscures the perceptually palpable and legible elements without revealing its underlying organization.